February 18, 2010

Mardi Gras: Laissez les bon temps roulez!


Sometimes my celebration of various holidays is consciously grand and expansive, like decorating several rooms in the house for the Christmas holidays weeks in advance.  Sometimes it's modest, understated and somewhat fleeting, as my celebration of Mardi Gras was this year, on February 16, hot on the heels of Valentine's Day.

Unfortunately, I don't have any strings of brilliant, metallic emerald green, purple and gold beads to celebrate Mardi Gras, but I do have this fun mug that I found at Goodwill a few months ago.

It's charming and it caught my attention initially because of the rooster design.  Like many people, I am partial to roosters.  I'm not sure I know why - maybe it derives from my affection for a restaurant that I had enjoyed many (like about 40) years ago in southern Vermont called Le Chanticleer.  I think it was the first time I realized that roosters and French country design and food were inextricably linked, and often were prevalent in kitchen design.  It's that "cockadoodle-do" rise-and-shine breakfast thing, I suspect.

Whatever the reason,  I found this particular rooster mug with its bright colors and confetti-esque, cheerful Mardi Gras theme irresistable.  Accordingly, it became the singular focus of my "minimal Mardi Gras" celebration this year.  Not being in the heart of the "Big Easy" (although I'm happy to say I have been there and I thoroughly enjoyed my visit) but very much in the heart of the frosty, freezing Northeast, I celebrated Fat Tuesday not with an alcohol infused "hurricane" or some coffee with chicory, but with some sweet, dark and rich steaming hot chocolate.  It was a warm, cozy and tasty way to celebrate the evening and the best part was there was no "morning-after" effect or confetti to sweep up the next day!


Of course, what would a holiday celebration blog post here be without a little complementary musical sound track to set the tone?  I give you the sounds of one of NOLA's favorite sons added to the playlist just for the occasion.  So, have a seat, pour yourself a cup of coffee with chicory (or hot chocolate or whatever libation you fancy for the occasion), relax and just laissez les bon temps roulez!




February 12, 2010

My Funny Valentine

Valentine's Day is one of my favorite celebrations of the year.  It's not because of the red roses, the chocolates, or the other expressions of love and affection, although those are quite nice, especially if one is on the receiving end of the gesture. 

No, I love it because after the quiet - and usually snow-covered - frosty month of January, a period of recovery from the visual excesses of the December holidays, Valentine's Day is a shot of bold, bright color - of brilliant crimson hearts against the stark February landscape.  I just like the vibrant "redness" of it and the sentiments of warmth and affection behind it.  It's a happy day for me, and even if one doesn't happen to have a Valentine to share it with, it's a little reminder that Spring and its signs of rebirth and renewal are just around the corner. 

When I was a child, my father gave me a few little tokens of Valentine affection.  I suspect my mother actually purchased these items on my father's behalf, but the fact that he gave them to me are the memories that linger.  As I grew older, he continued to give me Valentine cards - again, I'm sure thanks to mom - but they were sweet and endearing.  Both my parents are gone now, but I still have a few of the tokens that I keep tucked away in my box of Valentine keepsakes - a tiny, fuzzy, charming little bear wearing a small red heart and a pair of dear little tiny sachets embroidered with hearts - and a few of the lovely cards they gave me.  They are sweet reminders of them and that lovely day in February.


From my mother, I remember vividly the heart-shaped double layer cakes she baked for our Valentine's Day celebrations.  Rich, tasty, golden, butter cakes made from scratch with sweet pink, strawberry flavored frosting.  I still have her vintage, old Duncan Hines cookbook with that cake recipe, but I haven't tried to replicate it yet.  Maybe I will make it on Valentine's Day and revisit those wonderful, warm childhood memories of the people who affectionately launched my Valentine traditions.

To mark the occasion, I've added the beautiful standard, "My Funny Valentine" to my playlist.  It's performed here by one of my very favorite artists.  It's a song I learned when I was fairly young, again, thanks to my dad, who also shared with me his love for jazz and great jazz musicians.  It's a fairly simple, elegant arrangment - just trumpet and piano - so haunting and beautiful, and a heart-warming reminder of a special day to celebrate love in February.

February 6, 2010

Let Them (and Me) Eat Cake!

I haven't ventured into the arena of food/cooking/recipes here at the blog, but I do love to cook and spend most of my time in the kitchen (where I have the laptop).  Kitchens are my favorite places and I'm so fond of them that I've even contemplated venturing into kitchen design professionally.  It might happen yet.

In the meantime, however, I've been having a food craving lately.  Some years ago, a local commercial bakery that distributes to grocery store chains in the Northeast offered a wonderful cake in its product line.  It was called their "Nut 'n' Honey Round Cake."  It was a simple yellow cake with a chocolate frosting flavored with a bit of honey and topped with walnuts.  It was my favorite for years, so much so that I even asked my mom many years ago to serve that as my birthday cake.  (I'm sure she appreciated not having to bake a cake from scratch - which she did periodically and wonderfully.) 

The bakery stopped offering the cake to grocery stores some years ago and I've been sad about that ever since.  So, this week I finally pulled together the ingredients I'd need to recreate the cake.  I am not the world's greatest baker, so I opted for the easy, short-cut approach - boxed cake mix, even ready-made frosting - because I think the secret to this cake isn't in the "made from scratch" approach - it's in the blending of key flavors. 

I made the cake per the package directions, only instead of adding the full 1 1/4 cups of water needed to moisten the mix, I substituted about 1/4-cup of honey for 1/4 cup of the water.  (I had warmed about 1/2-cup honey slightly in a pan just to liquify it further, using half for the cake and half for the frosting.)  Then, I poured the contents of one ready-made milk chocolate frosting container into a bowl and added the remaining 1/4-cup of warmed honey to the bowl, and mixed it into the frosting with an electric hand-mixer.  The result was a slightly lighter and creamier (and tastier) frosting than the stiff blend that came out of the container, which made it the perfect consistency for easy spreading.  If you prefer a darker color, you can always use a dark chocolate flavored frosting instead.

I baked the cake per the package directions (using, in this case, two 9-inch round pans), then, after the cake cooled, I assembled the two layers, spreading black raspberry jam (rather than the frosting) between them.  (I love cakes with a tasty fruit jam between the layers.)  Then I frosted the top and sides with the honey-laced chocolate frosting and finished it with ground walnuts on top.  Voila!  I give you my quick-and-easy version of Nut 'n' Honey Round Cake:



I'm pleased to report that this version of my favorite cake tastes just as good as the original that inspired it.  Yum!

February 4, 2010

A Bright New Day

To accompany my impending change of domestic scene, I've changed the header image yet again.  I like this image a lot, in part, because I know the local artist, and also because it's a contemporary landscape depicting the Hudson River.  It reflects some of the spirit of this blog - country and comfortable in feeling, but contemporary and current in tone - at least I hope that's what is happening here.  Either way, change continues to be in the wind, so here's a bright new one to symbolize the bright new days of Spring ahead.

February 3, 2010

What Are They Thinking?

Since my last post was rather a long one, I'm going to make this one fairly brief, but I need to address something that has been bothering me for a little while now. 

I've had an opportunity in the past few months to be exposed to an inordinate amount of daytime television programming.  It's not that I watch transfixed, it's just there in the background like a musical soundtrack (although, admittedly, not necessarily as soothing as music).  It's just my "companion" of sorts when I'm working at home, cooking, cleaning, etc.  I keep it turned on and around because, occasionally, there are interesting segments that grab my attention, whether on a morning news or talk program, a cooking show, a travel segment, a home renovation/redesign segment, etc.

Something I've noticed a quite bit lately is that the latter - the home renovation/redesign programs - are not always espousing what I, in my infinite wisdom and experience in life (well, okay, I'm in mid-life, so I wasn't born yesterday), would NOT characterize as great good design.  At first, I questioned my reaction to some of these programs' segments.  I thought, they're putting this stuff on TV, so maybe I'm missing something here or they look better in person, perhaps.  But, no, honestly, I think some of the "solutions" these program hosts and/or their design "experts" are promulgating - indeed, in some cases, inflicting on these unwitting (but obviously complicit) residents or homeowners - is just unbelievably bad design.

Most of my objections surround the programs that purport to create great spaces out of found and repurposed materials.  I think it's a wonderful concept, but, more often than not, I think the designs and the projects tackled are just plain lame and badly executed.  

One needn't look much farther than the options on the blogs one finds online (not mine, but some of the ones to which I've linked) to find far better concepts, workmanship and finished products.  What is with these TV folks? 

I'll confess, a lot of the design work that I find unattractive is often executed by much younger folk - 20- and 30-somethings.  They mean well, I'm sure, but it makes me wonder what the producers of these programs are thinking?  Indeed, I'm wondering what these designers are thinking.  It's as if they've just stepped out of design school, but still seem to have the work ethic of students and none of the, as they say on Project Runway about errant fashion designer candidates, "taste level." 

I'm inclined to say this stuff ain't brain surgery, but, in some ways, it is complex and shouldn't be diminished.  I can say some of this with impunity because, among other things, I was an art major in college, I've done work professionally that involves making aesthetic and space design decisions, and I'm also a licensed realtor.  I've seen and done a lot in the big world in which some of these types of projects exist.

Making hard choices about shape, size, line, color, texture and placement is not for the faint of heart and takes time and careful thought.  The problem seems to arise when the designer looks for the "quick-and-dirty" solution, as we used to say in the printing production business, one that doesn't cost much.  Unless it comes from a place of solid perspective and the ability to reference those efforts that have stood the test of time as good interior design, the results often look like...well...you know. 

What scares me most about this "instant" design approach that the television media, and some print media outlets, are foisting upon us is that unwitting viewers who ascribe some sense of intelligence and authority to this programming might be inclined to view it as worthy of emulation.  All I can say is, don't go there.  It's not necessarily, so don't try this at home!  If it looks cheap, it often is cheap (you've heard the one about the quack and the duck), so while it might appear to solve a problem expeditiously, it isn't necessarily good design, it's just a fast solution...and not usually a very good one.  If it is done on a "dime," look very closely and beware.  Good stuff visually (or functionally) isn't necessarily about cost, but there is an aesthetic price to pay if you assume anything can be done cheaply and it still will be viable visually.

As with everything you read in the newspapers, take what you see on some of the television design programs with many very large grains of salt and don't believe, just because they put it on the air, that it's worthy of design credibility.  As the Gershwins wrote in the song from "Porgy & Bess," it ain't necessarily so.

January 28, 2010

Sometimes Things Change...Really Change...Forever

Perhaps I spoke too soon in quoting the French phrase in my last post about things changing yet staying the same.  Sometimes they change...and it's really big change...and they don't stay the same...ever. 

When I began this blog in earnest, it was this house, this place where I grew up and to which I returned five years ago when my mother's health began to fail, that was the focal point.  It was with wildly mixed emotions that I came back here.  I'd left this house, for good I thought, a few decades ago, at the age of 22, never expecting, or necessarily wanting, to return here to live.  I was more than ready to go, eager to strike out on my on and create a nest for myself. 

Although my mother was quite sad about my leaving the family home and her loving care, I was moving only about 10 minutes away, to my first home of my own.  I lived there in that cute 2 bedroom Cape for 13 years, until the call of the countryside, where I spent a good deal of my time, had become so compelling, that I sold the first little house and bought my first house in the country, about 25 miles away.  I loved that house - a prim, side-hall colonial with 3 bedrooms upstairs and lots of interior shutters on the windows - in a picture-postcard, little historic hamlet.  It was a perfect first country home and I stayed there for seven more years.

I loved living in the country.  It was only about a half-hour from town, from my parents and work, so I was never far away or out of touch, and I commuted daily for another decade or so.  During that time, I began to crave just a bit more privacy and a bit more of the countryside to myself, so I sold the first country house and moved to a small farm.  Very small, comparatively, only about 3 acres, but it had a charming 3-bedroom house tucked down a quiet lane off a dead end, with a long driveway lined by mature old maples, surrounded by woods and fields and the two other neighbors no closer than shouting distance, at most.  Best of all, it had a huge (seriously huge) old barn and small adjacent fenced paddock.  Finally, once the stalls were rebuilt and the fences repaired, I could bring my horse home, and, eventually, I did.  It was the culmination of a life-long dream.  For me, it truly was heaven.

I was supremely happy, if periodically challenged, at the farm - something was always breaking.  Such is the way with old houses and old fences, but the horses (mine and a friend's), the kitties that I brought there or that were born there, and I were all content there.  It was one of the most wonderful times of my life.  But, as I said earlier, sometimes things change.  Of course, things always change, with predictable inevitability, as time passes.

About 15 years ago, my dad had died at 81 after a long, sad battle with Alzheimer's disease.  My mom, who had cared for him at home entirely by herself (her preference - she never wanted anyone else involved) at home, was 11 years younger than Dad.  She always had unfathomable depths of courage, strength and stoicism.  You'd swear there was pioneer or Puritan blood in her somewhere.  She also was the personification of the phrase "quiet dignity."  Incredible stuff to witness, but sometimes you're too close to see or perceive it as it's happening until you have the perspective of time.  So she was on her own here for another eight years after dad died.  But, as I said, sometimes things change and they don't stay the same.

 About six years ago, it was becoming apparent, as mom approached 80, that she wasn't as physically strong, or healthy, as she had been.  We talked about her moving out to the country with me, since, by then, I had stopped commuting into town and was at the farm.  She seemed open to the idea for a while, but when push came to shove, she finally confessed she didn't want leave her home.  It had been built by my parents and she had lived here for all of its nearly 50 years of existence.  As I mentioned in an earlier post, she always said it was my dad's house, but, really, it was her house.  Now, when faced with the prospect of leaving it, she realized she couldn't abide the idea that someone else - a stranger - would be living in her house.  That, for her, was unthinkable.  This place was her safety and her security.  As with many decisions she made, I didn't fully comprehend at first, but eventually I came to understand. 

So I made the hard decision to sell the farm, lease a barn nearby with my friend so our horses could remain as stable- and pasture-mates, pack up 15 years of my country life and move back to the city to be with mom.  I knew as I had watched her gradually decline over the years that I probably wouldn't have that many left with her.  There were no other family members left in the area and my mom and I were very close.  If I had to give up a lifestyle that I enjoyed for a few years in order to help her preserve the one that she had worked all of her life to create and maintain, well then, of course, I would.

Fortunately, the real estate market was still strong in 2004 and the farm was such an appealing property, I accepted an attractive offer for it 10 days after I put it on the market.  That was a huge relief.  The even better news is that I've remained in touch with the very nice woman who bought it, who renovated the house exquisitely beautifully (something I wasn't yet able to do, but had hoped to), so we socialize periodically.  That means I get to visit my former home occasionally, genuinely admire the transformation the place has experienced, and smile with enormous satisfaction (and just a little relief) whenever I'm there.  Sometimes you don't want to go back to your former homes and sometimes you do.  That's one I always enjoy entering.

So I moved back into town to live with Mom - the house was plenty big enough for the two of us, and while the adjustment to the city noises was jarring for me for a few months, I eventually settled in, the kitties - shocked at not being allowed out - eventually settled in, as well.  She would never say anything, but I knew Mom wasn't well, so they were precious months - just over two years - that I spent here with her before she died.  After she became so weak and finally admitted she was in great pain, she agreed to go to hospital, where she remained for two weeks.  There the diagnosis of a terminal illness that I had long suspected was confirmed, but she and I soon made the decision to skip any extraordinary or invasive treatment or a nursing facility, and I brought her back home. 

Mom knew, having lost her sister almost a decade earlier to the same intrusive illness she suffered, that the available treatments were neither curative nor palliative and, for her, they not worth the inescapable discomfort.  She knew she was dying and conventional medicine did not offer sufficient quality of life and she didn't want any part of the healthcare system's dictates that assuredly would have robbed her of the quiet dignity and privacy that she spent most of her life cultivating.  I, too, knew well that it was her right to decide and that, above all, her home was where she wanted to be.  There - here - she could slip slowly and quietly away in the place that had always been her sanctuary, without any intrusions from the rest of the world.

I also knew, having cared for many large and small animals - patients that cannot speak - for most of my adult life, that I certainly could do what was necessary to care for one frail mother on my own here at home, and there was no question that's what I would do.  One day, one of the visiting hospice nurses who stopped by to check on Mom even asked me if I was a nurse.  She told me she inquired because she was impressed with my calmness and capabiliity.  She said most people can't deal with caring 24/7 for a loved one who is bedridden and dying.  It just seemed to me that you simply do what needs to be done.  It's been entrenched in me for decades that it's not an option to abdicate caretaking responsibility for one's pets, so it wasn't a huge stretch to do the same with people I love.  It was then that I finally understood so clearly why it was so important for Mom to care for my dad here at home, on her own terms, when he was ill and failing.  I was gratified and relieved that I was able to do that for her, too, so she could die quietly, just as he did in her care, at the one place that had been so special to her for so many years.

All of those inevitable life events and changes brought me to today and a decision I'd been mulling for a few years since my mom died a few years ago.  I've been here on my own for a few years and had become fairly comfortable again here in my childhood home.  I fill any space I'm in, and this one has been no different. 

While I could easily stay here, the reality is that it's far more house than either I need or want going forward.  While I'm not anywhere near old enough to claim Social Security, I'm no spring chicken either.  I've shlepped heavy water buckets twice daily through two feet of snow when the hydrant in the barn froze through the winter.  The bigger a house is, the more there is to do to take care of it.  Houses are like people, the older they get, the more you need to do to keep them humming.  I have felt increasingly that I want to lighten the load, downsize even more, and finally head toward a more temperate climate, especially in winter.  I know I can deal with two feet of snow, or whatever a house of this age and size throws at me, but I just don't want  to.  Been there, done that, and I have other things I'd rather do with my time and money, although I won't suggest I'll never lift another paintbrush or screwdriver, or indulge my passion for design or decorating again.  I just don't want to be overwhelmed by the magnitude of a house or its issues.  It has to be manageable for me now, and a decade from now.  This wonderful sturdy, mid-century modern ranch that has only ever been home to my family, is now at the point where it needs more attention than I want to invest in any house, and while I have filled its spaces, it is a place that always was designed for more than one person.  I need to be free of it and to free it to house warmly another family for its next half-century.  I'll just keep with me the good memories of having grown up and lived here, as I have with my previous three homes.

So, it is with more mixed emotions that I'm preparing the family homestead to be sold.  Earmarking furnishings and household items that were purchased by my parents - my mom, mostly - either to be stored or sold or donated or tossed.  The painting work I've been planning ultimately will not be for me to enjoy, but to prepare the house for sale instead.  It's always the way.  Everytime I tackle a kitchen-related project, I end up selling the whole house, so maybe I'll re-do the kitchen in my next house right away so I can enjoy it a while longer.  Either way, I'll chronicle the work and the progress, since we've come this far together.  When it's all done, it'll be a way of taking a virtual piece of this place, that has been so special to me and to my parents, with me always. 

As for where I'm going, well, I have a destination firmly in mind and a plan to get there, but it's a process, so I'd rather let that play out over time.  Suffice it to say it's a good bit warmer there and less harsh in winter than the frosty Northeast, and there are horses there, because it would be unthinkable for me to live in a place where they, and the countryside that surrounds them, weren't nearby.  In the meantime, the kitties and I will be heading back, temporarily, to the countryside nearby that I love for a little while until we make the "big" move later in the Spring.  It seems appropriate to move during the season of new beginnings. These next few months will be my next big life adventure, for sure.  Wait and see.

Sometimes things do change..and they don't stay the same...ever.  The reasons for thoses changes can be good or bad, or sometimes a little of both.  Whatever the reasons, it's the one thing about life that doesn't change.

January 13, 2010

The More Things Change...

The French have a wonderful expression, "plus ca change, plus ca fait rien" which translates to "the more things change, the more nothing happens" (or, figuratively, "...the more they stay the same").   (Sorry I'm missing the accent marks, but they're not copying from the source...oh, well.)  I am reminded of it because I was out over the weekend running errands and decided to finally use a gift card to a local True Value hardware store that I'd been given for Christmas...several years ago!  I knew I would use it on paint, but wasn't sure at the time what I would be painting.  Now I know.

So I stopped in at the hardware store that sells my favorite Benjamin Moore paints in search of the perfect "greyge" - that wonderful combination of grey and beige - a light taupe - that I've loved since I painted the living room that color in my first house, 30+ years ago.  I'd seen the color in a magazine spread - Glamour or Mademoiselle, I can't remember which - paired with fabrics in a strong rust color and I loved the way it gave a warm, cozy and calming ambience to a tiny New York City apartment bedroom.  I still have the page from that magazine in my files.  The color worked for me then, and it still does.

I found just the right color for my first living room (painted by former occupants a dusty rose pink at the time - yikes!) in the collection made by Pittsburgh Paints.  It was called "Deep Twilight."  I loved it in that living room for years.  I could change the colors of the upholstered furnishings, drapes and rugs, but they always worked with that wonderful wall color.  I still love it - just dark enough to be a statement, but not so dark that it is overpowering, but I hadn't used it since for an interior space.  The styles and rooms of my two subsequent homes made color statements that were already well established when I arrived and I was not so invested in remaking their spaces.

Eventually, however, about 10 years ago, I needed to repaint the exterior of my small, traditional farmhouse in the country.  Its stark white clapboards, while brilliant and classic in their day (early 1800s), had been repainted (and perhaps even replaced), but the years had taken their toll and they had become a shadow (a sort of dusty, dingy shadow) of their former crisp, white selves.  With matching white (well, dirty white) trim, there was nothing notable about the house's appearance or architecture - it all blended together, obscuring the special features that distinguished the mouldings around the doors, windows, rooflines and porch from the siding.  That's when I decided the white clapboards had to give way to my favorite warm and toasty taupe and I'd refresh the trim with a warmer tone of ivory.

Off I went to the paint store with my old taupe paint chip in hand to find a Benjamin Moore color that was as close as I could get to that wonderful "Deep Twilight."  I found it in one of Moore's "America's Colors," a warm tone called "Berkshire Beige" (code number AC-2 - click on the link at the color name to check it out).  It seemed appropriate enough as the house was just a few miles from the border where the Berkshire mountains of Massachusetts were located - I liked the reference to the region nearby.  So,  up it went on the siding and - voila! - the house became more inviting and the newly painted bright white trim details suddenly popped out, defining more clearly the house's cheerful Colonial roots and its subsequent folk Victorian embellishments.  It was a resounding success.

Ironically, the style trends of the 1970s have, in some ways, re-emerged in the past decade or so. Neutral tones - what I'll call the "Pottery Barn palette" - again serve as pleasing backgrounds with strong accent colors now favored, whether black, navy, a rusty barn red or rich pastels, etc.  So I thought I'd go check out the latest in the contemporary color palettes over the past weekend to see if I could find a rich, new greyge/taupe hue to use to renew the kitchen walls of the midcentury modern ranch that has been my home for the past five years and my family's home for more than 50 years.  The old, dingy aqua - the only color this heart of the home has ever known that was so trendy in its day - finally has to GO!  Seriously.

I perused the choices - dozens of them - and pulled sample chips from the racks and scrutinized them.  When I'd finally narrowed the options, I stepped over to the rack with the aforementioned "America's Colors" and re-examined my old favorite, Berkshire Beige.  I held it next to the other chips and, don't you know, when it was all said and done, I went with Berkshire Beige yet again!  Nothing else is quite like it.  Other deeper taupe choices would have been too dark in this room that only gets sunlight from the east in the morning, and lighter tones just weren't colorful enough and wouldn't set off the light, natural maple wood that is hidden beneath the age/smoke/grease-darkened finish of the cabinets.  (Their restoration/rejuvenation is another major project I'll be tackling in the near future as well, after I paint the walls.)

I haven't started painting the kitchen yet, but, yes, I'll take some photos of the "before" stage before I do, so you can see the transformation.  I have no time frame in mind, though, and work and other imperatives take priority at the moment, but now that I finally have the color decided and the paint in hand, it won't be too long before I break out the dropcloths, rollers, and brushes, so stay tuned.

"Plus ca change...."